Tuesday, December 31, 2013

ROMANTICISM


Only twelve

when words

unlock the dust

making faces

against a raging night


Six hours

of a lyric answer

a touch of strangeness

from vagabond dreams

rolls over the bed


A bright moon

dances in the shade

and my Keats

has fallen asleep

on the whitest sheet

of a burning ode

from the starry Muse

breathing in the unknown

waking from

disappearing vistas

and Medusa's stone.



LAMENTATIONS


Let's blame Aphrodite

when summer surprises

your echoes settle

from breast to breast


The moon is feverish

to lock light in

hoodwinked by fate

the flesh tears at love


Indebted goddess

to an unarmed power

where fruit and music

jumble up paradise


among sleepless blankets

rinds, words ,gardens

tasting elixirs

of good fortune.
EXPECTATIONS

(for Tomas Transtromer)

The trees cold as footsteps

alive as phantoms

of early music

when in amazement

March sky covers dawn

from pale first light

covering lichen and moss fields

after the snow kisses

ungloved hands

once frozen in the sun

and open tundra

of omen and memory

fooling no one

in a vertical dare

near the green sea

between fjords

where house boats tremble

from off the islands

to surface in the thaw

of landscapes

and life jackets

swaying gingerly

in the low crevices

of now forgotten

love notes

since climbing,

tree, caverns, mountains

in woolen socks

pushing your weight

to host beach friends

who visit and play

under the galaxy

of harmonic undertones

of experimental spheres.
We tolerate what we cannot speak of.

An expression of love is always a hidden confession of much more.

Some hope to purchase a bed, a sofa to read on or a pew without paying

the upholstery costs to service it or forgetting the time to sleep on it.

We return to the faith of childhood with a childhood's faith.

Prosperity first signals tourism, a wish to get away.

Liberals enjoy the morning headlines, conservatives the evening news,

believers already have the good news.

Going to the opera is always an aesthetic excuse to head for the stage.

Art tries to rescue the already drawn lover.

Politics is always a sickly mediocre way to power followed by a lover's

excuse to take cover when persuasion deflowers.

Politics, sex and religion manipulate each other.

When the last lover cannot face the music a new lover improvises

on how to score.

Americans are eternal optimists, the Jewish people with their history

of worldly success yet will not turn to pessimism, hence their dilemma.

Today Europe's Jews are caught between the definitive and dhimintude.

Every writer always has a great aunt and dilettante in his life.

Poets are rebels taking up arms even against themselves.

A few men love to worship in truth, a few women worship the truth

to love.

America is dominated by the middle class, the middle -aged and middle

brows.

The formerly religious feel like lost souls.

Disappointed lovers and poets were neither either.

Artists make the zaniest statements on politics, politicians do like-wise

about art.

Opera is for those who combine melodrama of the queen the act of

betrayal of a king, and the vocal music of the Royal courtiers.

Those obsessed with pedigree are close to dogs.

Poets with a handwriting problem, invariably write well.

Epistles are for seekers of truths, lovers compose letters for others, poets

write for themselves.

Oh that novel look of a first lover-take cover!

If life is an accidental birth, no wonder predestination is by faith.

The economic world is divided by those who lose things, and those who

lose everything.

A chin speaks volumes.

Since everyone applied, everyone lost.

Those who usually demand reform, refuse the lessons of their own

 reformation.

Some who spill their seed have forgotten the cool of the garden

Those who constantly sing lyrics about love must learn to refrain and

rehearse with automatic intonation.

It takes only small arms to fire.

Atheists found their own religion.

Religion is divided between Saducees and its seducers.

A middle aged darkness when the church and state ruled in a universal hell.

Some souls find the cross obtrusive, they prefer a to live crosswise.

Music idols are image-bound to their imitative worshippers.

Fascism is an idolatry of pretense, a carnival only to the invited.

A Jewish identity is folly to the nations.

No one is neutral to the history of the Jews.

The artificial are invariably profane.

Maxims are miniscule, aphorisms are life size.






Monday, December 30, 2013

SOIREE


Off Tremont Street

in Jamesian fashion

you hid Remy de Gourmont

in the yellow book

over the veiled portico

as twin cremona's

played Bach's

"Double Concerto"

gents and ladies

eyed Boston

on the card table

Mrs. Gardiner shined

with the Berenson boy

passionate for Ucello, Vermeer

a Venetian ring

hands in her newest sable

and parodying Edward Lear.


You carried a bundle

of expatriate belle lettres,

wine by your elbow

of cold connoisseurs

enjoying the Japanese china

along the bric-a brac wall

admiring the past Whistler

Firbank's last novella,

Pater's Studies,

and a script of Wilde,

you remember the soirees 

and last November's teas

where you read "Child Harold"

in Byronic company

now it's another Fall to Rome

by way of Greece and then home.

MARCEL PROUST'S NIGHT

The snow cannot sleep

outside your lantern windows

as it covers the dusty memory

in the cold sensation

of buried absence

the egg whiteness of your notes

silent along the hedge groves

that amputates all phantasms

until tomorrow's landscape

in your window's eyelids

bandaged with frost

will rekindle daylight.
 








Sunday, December 29, 2013

ROZYCKI EMERGES

Unwinding language

by a Polish drawbridge

being in runaway time

between borders

of enlightenment.