LOST IN A POE REVERIE
Add to your day dreams
a raucous rant of reverie
from a fearsome sleepwalker
writing over five stories
about interrogated soul mates
in a mystery meter rising
on the far side of the moon,
multiply mirrors of singers
at live dance halls
divided into lively couples clubs
as the dawn awakes our hearts
subtracted into diamond legends
from king Solomon mines
or Treasure Island
when all lights stamp reality
that quickly burn away
from any spaded handled dross
of locating coins and stamps
from underneath the dark sea
of sinking cargo ships
as epileptic saints appear
from laced curtains
behind buried Puritan blinds
who move like chessboard pawns
over toothless archangels
hidden in church bazaars
fleeing lower basements
as exiled wandering stars
rescued over by shark
and right whale waters
when strong Sicilian sailors
unload fresh salt for New England
for our home harbor
to cook on colder nights
as Mayflies search for trout,
cod, and red salmon
near whitened kingfisher herons
who rest and stretch out
on the sunny high tidal beach
over a first frosty branch
reaching for bread and quail
along the edge of the bay side
of a camp site's lagoon
to search ethereal currents
near a once crunchy snow forest
thawed now among birdsong
as rings of sea voices rise
where Edgar Allen Poe trains
as a once dismissive soldier
in South Boston by Castle Island
despising all regiment
of his rejected discipline
writes in a trance of hours
by the ghostly Atlantic's watch
hidden between portholes
hearing an oceanic Druid din.
Saturday, October 31, 2015
Friday, October 30, 2015
LIKE RILKE
Calling on an angel like Rilke
embalmed in a mid dream flight
of a cross-examined poetry
when lost in a parental storm
pressed by a mirages space
outside a tiny strange room
practicing my scales
about the recital riffs
of a first alto sax soloist
hearing church vespers
of those monks who return
from sleeping in the desert
now barricaded in prayer rooms
by a snowy mirror of stars
through cool long corridors
of a sound proof studio
by a constant metronome
of my fingered exercise
moving me to tears
the air assaults the island sky
with a dizzy rain
not far from my home
taking a November night's
chance at science
with a flicker of my wide palm
at a telescope in silence
from shadowy windows
to peer at the blood moon
outside the harvest fields
entangled in a pumpkin muffin
taken in the last light of sunset
as a songbird rests politely
by the lowered bridge's iron gate
near a wellspring marble statue
on the first icy draped branch
an anonymous poet waits with
a frosty glass of green tea
thirsts for a late Fall's pond
to skate as in childhood
as a wagon of hay riders
draws in my landscaped eyes
over the fallen red leaves
of a fallen birch tree branch
with my initials scrawled
from an adolescent crush
as an echo of dissonant winds
motions the sea breeze
as small exiting island birds
who love to circle and chatter
stake their nesting place
above the Cape's river bed.
Calling on an angel like Rilke
embalmed in a mid dream flight
of a cross-examined poetry
when lost in a parental storm
pressed by a mirages space
outside a tiny strange room
practicing my scales
about the recital riffs
of a first alto sax soloist
hearing church vespers
of those monks who return
from sleeping in the desert
now barricaded in prayer rooms
by a snowy mirror of stars
through cool long corridors
of a sound proof studio
by a constant metronome
of my fingered exercise
moving me to tears
the air assaults the island sky
with a dizzy rain
not far from my home
taking a November night's
chance at science
with a flicker of my wide palm
at a telescope in silence
from shadowy windows
to peer at the blood moon
outside the harvest fields
entangled in a pumpkin muffin
taken in the last light of sunset
as a songbird rests politely
by the lowered bridge's iron gate
near a wellspring marble statue
on the first icy draped branch
an anonymous poet waits with
a frosty glass of green tea
thirsts for a late Fall's pond
to skate as in childhood
as a wagon of hay riders
draws in my landscaped eyes
over the fallen red leaves
of a fallen birch tree branch
with my initials scrawled
from an adolescent crush
as an echo of dissonant winds
motions the sea breeze
as small exiting island birds
who love to circle and chatter
stake their nesting place
above the Cape's river bed.
MANTEGNA AT THE LOUVRE
Walking in the Louvre
sighting Mantegna's
long suffering "Crucifixion"
mutely smothered
by the heavily wounded colors
reproving what transfigures
to be anointed for every age
in a scene of dolor's desolation
presaging a man of sorrows
liberally acquainted with grief
stretched on a visionary canvas
through the sunny windows
at an honorary altar's relief
carefully shaping a painting
in an oilcloth of pure lines
at our own reproof of unbelief.
Walking in the Louvre
sighting Mantegna's
long suffering "Crucifixion"
mutely smothered
by the heavily wounded colors
reproving what transfigures
to be anointed for every age
in a scene of dolor's desolation
presaging a man of sorrows
liberally acquainted with grief
stretched on a visionary canvas
through the sunny windows
at an honorary altar's relief
carefully shaping a painting
in an oilcloth of pure lines
at our own reproof of unbelief.
FRANK AUERBACH AT THE TATE
Escaping as a child
from any weighted lashes
or hurts from the brown shirts
you are kindly lifted
on one of the last trains
to save you from misery
out of an unmentionable
graveyard of history's
great crime,
arriving in England
to discover your gift
as you paint all afternoon
by the sirens of thunder
amid all shades of rain
desiring a unique gift
in your deluged landscapes
of a romance with the world
that critics marvel at
with our big ben time
of a tower's great wonder
draped with a dowsing wave
at your hand and mind
amid a fountain of a soul's
residing hidden dreams
of flaming imagination
your eyes in a Blakean cast
of resonant fire
outliving the enemies of art
in the narrow streets
parting at London's backyard
in an unblemished toil
of colorful love
in buckets of paint
on a long body of work
covering the gated canvas
among uncovered fringes
of a last faded remnant
under the brightest tabernacles
of a final blood moon
with your miracle anointed oil
that will outlast our century
in brushes at the tall sun
now finally being honored
at the Tate gallery.
Escaping as a child
from any weighted lashes
or hurts from the brown shirts
you are kindly lifted
on one of the last trains
to save you from misery
out of an unmentionable
graveyard of history's
great crime,
arriving in England
to discover your gift
as you paint all afternoon
by the sirens of thunder
amid all shades of rain
desiring a unique gift
in your deluged landscapes
of a romance with the world
that critics marvel at
with our big ben time
of a tower's great wonder
draped with a dowsing wave
at your hand and mind
amid a fountain of a soul's
residing hidden dreams
of flaming imagination
your eyes in a Blakean cast
of resonant fire
outliving the enemies of art
in the narrow streets
parting at London's backyard
in an unblemished toil
of colorful love
in buckets of paint
on a long body of work
covering the gated canvas
among uncovered fringes
of a last faded remnant
under the brightest tabernacles
of a final blood moon
with your miracle anointed oil
that will outlast our century
in brushes at the tall sun
now finally being honored
at the Tate gallery.
Thursday, October 29, 2015
REFLECTIONS
Awaking by a juniper tree
writing early verses
like the exiled prophets
and poets Jeremiah, Blake,
Byron and Shelley
on hills, mountains, lanes
in an unknown universe
with my intuitive anonymity
wishing to travel beyond the Cape
outside the thrilling mystery
of diligently watching
these draped fountain walls
watered down of my own history
wishing to travel back and forth
in a kayak over the river's mouth
toward north, west and south
shaped by a gentle invisibility
peaceful word, sword and spirit
to other spheres of geography
down halls of eminent biography
with Keats, Yeats and Andrei Bely
opening diligently to love others
in my own unlimited sealed span
with you daughters and sons
swaying above Manhattan's breeze
with Crane and Whitman
Emily Dickinson and Merton
in my own raised trope's trapeze
hoping in adolescence for romantic
and critical trophy rewards
as in a prophecy to hope and desire
to be revealed in a lens of reflections
and shine into a stars firmament
clothed in a glorious new linen
with a divine sent perfection
by a remnant of poetic souls
above all the earth and waters
hearing a chorus of small birds
beyond all space and time
in all fate and states of mind.
Awaking by a juniper tree
writing early verses
like the exiled prophets
and poets Jeremiah, Blake,
Byron and Shelley
on hills, mountains, lanes
in an unknown universe
with my intuitive anonymity
wishing to travel beyond the Cape
outside the thrilling mystery
of diligently watching
these draped fountain walls
watered down of my own history
wishing to travel back and forth
in a kayak over the river's mouth
toward north, west and south
shaped by a gentle invisibility
peaceful word, sword and spirit
to other spheres of geography
down halls of eminent biography
with Keats, Yeats and Andrei Bely
opening diligently to love others
in my own unlimited sealed span
with you daughters and sons
swaying above Manhattan's breeze
with Crane and Whitman
Emily Dickinson and Merton
in my own raised trope's trapeze
hoping in adolescence for romantic
and critical trophy rewards
as in a prophecy to hope and desire
to be revealed in a lens of reflections
and shine into a stars firmament
clothed in a glorious new linen
with a divine sent perfection
by a remnant of poetic souls
above all the earth and waters
hearing a chorus of small birds
beyond all space and time
in all fate and states of mind.
Wednesday, October 28, 2015
ON THE TRAIN
On the train up to Boston
when the first fragile snow
fell from the heavens
like isles of rainbows
we glimpse our spirit days
as shade and sun's shadows
begin its narrow peeks
from a still glowing first light
upon the walls and windows
like a pre-Christmas surprise
I'm busily eating
my brie cheese croissant
with a cup of coffee
when I was eleven
going to symphony hall
my violin case next to me
with a complimentary ticket
from my uncle and aunt
to hear Munch conducting
L'enfance du Christ by Berlioz
and across me is Father Adrien
a priest from Brazil and Argentina
who is writing a biography
on John of the Cross
we struck up a conversation
in Spanish and Portugeuse
and we became better friends
through a festival of letters
and when his book arrived
with his signature inscribed
knowing as a boy's shadow poet
from all my joy, loss and sorrow
I would venture outside my home
from a lone walk in my century
now writing in my diary's arena
of my open yet vanished geography
that secret divine appointments
would follow me
in my every day history.
On the train up to Boston
when the first fragile snow
fell from the heavens
like isles of rainbows
we glimpse our spirit days
as shade and sun's shadows
begin its narrow peeks
from a still glowing first light
upon the walls and windows
like a pre-Christmas surprise
I'm busily eating
my brie cheese croissant
with a cup of coffee
when I was eleven
going to symphony hall
my violin case next to me
with a complimentary ticket
from my uncle and aunt
to hear Munch conducting
L'enfance du Christ by Berlioz
and across me is Father Adrien
a priest from Brazil and Argentina
who is writing a biography
on John of the Cross
we struck up a conversation
in Spanish and Portugeuse
and we became better friends
through a festival of letters
and when his book arrived
with his signature inscribed
knowing as a boy's shadow poet
from all my joy, loss and sorrow
I would venture outside my home
from a lone walk in my century
now writing in my diary's arena
of my open yet vanished geography
that secret divine appointments
would follow me
in my every day history.
ALWAYS HEREAFTER
(In Memory Samuel Beckett
1906-1989)
Through alleys and hallways
the runaway's heart beats
even by the French bakery
already tasting a baguette
with his own laughter
be does not beg
the manager takes a chance
for to him no one is a stranger
even by the creche and statuette
on hay and flower beds
as swallows visit
he returns to the river bridge
surprised to sleep and dream,
ye there is a poet nearby
on a secret mission
as a courier for the Allies
who lives with gallows humor
a day at a time
who writes plays every hour
when he can escape
here Beckett cleverly thinks
with an Irish wink
this optimistic boy needs
no critic or Schopenhauer
for knowledge is a wish
always ever after the last act
expecting another line of verse
to remember this child of promise
whose eyes are exhausted
who slowly swallows his bread
hiding out with the Resistance
who already sees the wounds
like a poet with St. Thomas
expecting to rise from the dead.
(In Memory Samuel Beckett
1906-1989)
Through alleys and hallways
the runaway's heart beats
even by the French bakery
already tasting a baguette
with his own laughter
be does not beg
the manager takes a chance
for to him no one is a stranger
even by the creche and statuette
on hay and flower beds
as swallows visit
he returns to the river bridge
surprised to sleep and dream,
ye there is a poet nearby
on a secret mission
as a courier for the Allies
who lives with gallows humor
a day at a time
who writes plays every hour
when he can escape
here Beckett cleverly thinks
with an Irish wink
this optimistic boy needs
no critic or Schopenhauer
for knowledge is a wish
always ever after the last act
expecting another line of verse
to remember this child of promise
whose eyes are exhausted
who slowly swallows his bread
hiding out with the Resistance
who already sees the wounds
like a poet with St. Thomas
expecting to rise from the dead.
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